But that doesn’t come close to describing the breadth of material that has accumulated in The Belle and Sebastian Email Mailing List over the past 20 years, resulting in what resembles a rough draft of a massive novel in which the characters are all startlingly alive, even if the plot remains discursive. The notion of a fan email list also doesn’t capture just how frequently, eloquently, and hilariously the emails depart from the topic of Belle and Sebastian completely, the band becoming the thinnest of tissues, more of an inspirational sensibility, connecting an altogether different kind of internet community.
A typical email would begin by discussing how “all this talk of Czech weather and soft-core pornography has inspired me to speak up and introduce myself”; or how someone has “a bellyful of wine and passiflora” and “still can’t sleep”; or how another gets “mocked for having Nietzsche under my bed … not a book … the actual german philosopher.” Actual friendships formed through the list; one former list member, Joe Brooker, told me that he “came to meet people who made music, and thus … ended up making records and playing live as a direct result of all this.” And after a while everyone clearly knew everyone else, to the point where one man told the list that he was “ponder[ing] the idea of a Sinister retirement village, an everlasting bowlie weekender/perpetuality-er.”
Via The New Republic. More–>
There are probably two main reasons for the cellphone ban at Paisley Park. First is an attempt to preserve the purity of the live music experience, to encourage people to watch and absorb the show rather than their screens. Apart from a woman who used her phone flashlight to look for something she’d dropped, earning a stern word from an alert member of staff, everyone seemed to respect the rules. At one point, while he scrolled through his iPad, deciding what to play next, Prince playfully asked why everyone was looking at him. Later, I could only find a single, blurry image from the show on social media.
The other reason is Prince’s fierce commitment to protection of copyright. He does not take kindly to unauthorized recordings and images. There is surprisingly little to be found in places like YouTube. What does exist is usually unauthorized and only survives for as long as it takes to issue a takedown notice. Which Prince, or whoever he’s paying to handle this task, does with great regularity. There is plenty of Prince material on non-U.S. video sites, which are harder to deal with under American law.
Via NPR. More –> http://www.npr.org/sections/therecord/2016/03/08/469627962/poor-lonely-computer-princes-misunderstood-relationship-with-the-internet?utm_source=twitter.com&utm_medium=social&utm_campaign=nprmusic&utm_term=music&utm_content=20160308