A Manifesto for the Future of Music Technology Research

“Meaningful innovation happens when fields intersect – yet those who work in music technology are too often siloed in distinct fields within universities, industry, startups, journalism, hobbyist and fan subcultures. We don’t always know how to think together, and we often do not know what others can contribute. We don’t even know what we don’t know. When fields do come together, old hierarchies too often overshadow the spirit of collaboration and mutual learning. Institutional barriers challenge our ability to work together, from the way organizations are structured to reward-systems that encourage people to keep doing what they have always done.

Let’s Build Better Worlds

Music technologies make worlds. Let us make better worlds. Let music technology do good, serve public interest, foster belonging, justice, collaboration and sharing, enable greater access to positive musical experiences and personal connections, and create durable objects and practices.

We call for greater awareness of the cultural forces already in new music technologies, and the courage to challenge or change them when the collective good demands it.

Ask of any music technology: For whom will this make things better? How? Is it open or closed to creativity and innovation it has not yet anticipated?

Ask of any policy: Whose rights and opportunities are being promoted? Whose are being eroded? What idea of culture does it presume?

Ask of any practice: Who is invited to join in? Who is left out? Where will it find support?

Ask of any organization: How does it help people come together? Does it exploit them in doing so?

We must create more opportunities for people to engage one another through music. We must fight for people’s rights to create music and music technologies, and to enjoy music free of rent-seeking and unwarranted legal intimidation. We must stand up to abusive musical practices, from exploiting people’s dreams of making a living in music, to criminalizing whole classes of audiences and musicians, to subjecting people to hearing loss, to the use of music in coercion, warfare and torture.

We are Music Technologists. We work in science, art, engineering, humanities, activism, social science, policy and industry. We believe in music technology and we want to build better worlds. We invite you to join us.”

Via Music Tech Fest | A Manifesto for the Future of Music Technology Research

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The Sync Project and Berklee College Of Music Partner To Explore The Science Behind “Music As Medicine”

“The Sync Project, a PureTech startup working towards scientifically measuring and harnessing music to improve health, has announced a collaborative partnership with Berklee’s Institute for Creative Entrepreneurship (BerkleeICE). The partnership involves joint original research, course development and an internship program. 

‘Music can be a catalyst for new disruptive ideas to emerge, whether those ideas are applied to the creative music space or whether those ideas are exported into other fields, like health,” said Panos Panay, Founding Managing Director of Berklee’s Institute for Creative Entrepreneurship. “The Sync Project’s rigorous focus on the leading science of the neurological and health impacts of music, makes them a perfect partner.’

‘The Sync Project’s mission is to bring together the scientists, technologists, clinicians and musicians of the world to help accelerate the discovery of the clinical applications of music,” said PureTech CEO and Sync Project Co-founder, Daphne Zohar. “With this collaboration, we hope to engage and inspire the next generation of musicians to help us advance the field of music as medicine.'”

Via — Hyperbot