Thoughts on being a lady | Zoë Keating

I’ve used little strategies to get around the tiny biases. For example, I can get more favorable licensing terms by having a client negotiate via email with my pseudonymous male manager “Marc”. Or, on the occasion I’ve been made to sound like a viola onstage, I smile and subtly demonstrate that I understand acoustics by cheerfully mentioning to the soundman how quirky the cello is, that its lowest note is 65hz and that the notch for my resonant frequency should be very narrow because rolling off everything below 160hz will make a cello sound like a viola. Or, prevented by drinking laws from bringing my still-nursing 6 month old into my dressing room (where I needed to nurse him to sleep before going onstage), I just snuck him into the venue under my coat.

via Thoughts on being a lady | Zoë Keating.

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