Paulo Coelho on Sharing vs. Repression

When I was active on Myspace (I am not anymore), ???Fly me to the moon??? (Frank Sinatra) was deleted from my profile.
So who deleted the song? The answer is simple: greed and ignorance.
Greed that does not understand that this world has changed. Ignorance that thinks that, if the music is available for free, people are not going to buy the CD.

A] some will say :
you are rich enough to afford having your texts here for free.
It is true that I am rich (as were Frank Sinatra, and his heirs), but this is not the point. The point is that we want to first and foremost SHARE something. If you go to most of the pages, what will you see? Fantastic pictures, great blogs, amazing photos. For free. My texts are for free here. And you can reproduce them anywhere provided that you name the author.

B] The industry will say:
artists cannot survive without being paid.
But the industry is thinking on the opposite direction of our reality today. I follow Hilal on Twitter (even if she tweets once a year???). Hilal is from Turkey, but lives in Russia (and she is the main character in ALEPH). She first read a pirate edition of ???The Alchemist???. Hilal download the text, read it, decided to buy the book. Up to today, I have over 12.000.000 hard copies sold in Russia, and counting.

C] I also decided to create ???The Pirate Coelho???, an non-official fan page that allows people to download the full texts in different languages. I am selling more books now than ever. (Where is it? Well, not difficult to find???)

D] How did all these social communities start?
At first it was just wanting to chat with another person. But chatting isn???t enough ??? we have to share the music, the book or the film that we love. When there was no law against it, this information was exchanged freely. Finally, when the entertainment industry caught on, the repression began.

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One thought on “Paulo Coelho on Sharing vs. Repression

  1. Paulo Coelho’s The Alchemist is the tale of Santiago, an Andalusian guard child
    material to wander via the Spanish industries as well as towns with his faithful flcok up
    until a recurring dream concerning finding his prize at the Pyramids
    of Egypt rousts him from complacency. In attempting
    to comprehend his desire, Santiago runs into a smart old
    guy which calls himself Melchizedek, the Master of Salem,
    which sets the child off on a journey to find his Personal Legend:

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